Performance + Installation
Fatal Femininity
2016

The religiously motivated mutilation and control of bodies is examined through installation and performance.  The work evolved over the course of several weeks as the art object decomposed.  

From Mooncakes & Vague Prophecies to Ashes
 
2016

In election year 2016, more than half of White women in America helped elect a self-professed misogynist and racist to the office of President.

Cherry Pickers: The Despoiling of Virgin Minds
Davidson College Galleries
 2015

La Pocha Nostra

Performance Art JAM

Merida, Mexico

2017

Facilitators: Guillermo Gomez-Pena, Balitronica, Saul Garcia-Lopez

Boheme Femme
Bechtler Museum of Modern Art
2015
Code of Torturers: Time Will Only Tell if We're All Just Sinners
 
2014
Art & Dialogue: Responding To Racial Tension in America
Intersectionality, Race, Queerness, and Gender
"Un-Performance"
with Ash Williams 
2015

Charlotte-based performance artists Ash Williams + April Marten explain, “We are creating this piece and working together as a visual reminder of difference. We are two bodies and two perspectives who have merged into one art piece. We aim to investigate and test the limits of our own subjectivity and we aim to speak to the world about the multi-dimensions of racism. Some of our questions include: What can we charge the audience with? What can we tell people to expect out of themselves? Our hope is that the work speaks to the importance of process and the labor of questioning. 

NYC • Miami • Atlanta • Charlotte • Knoxville

Code of Torturers

Video Still